PRINT BUYING GUIDE
Buying Art with Confidence
CHOOSING YOUR PRINT TYPE
Every image I offer is available in multiple fine art print formats, each with its own presentation style and material qualities. The right choice depends on how you want the photograph to feel in your space and how you prefer it to be presented and displayed.
If you are unsure which option is best, I am happy to help you evaluate size, finish, and presentation so you can feel confident in your decision. I can also create to-scale mockups using photos of your actual space so you can see how a specific print will look before it is produced.
Complimentary shipping is included within the contiguous United States.
Artist Series Fine Art Prints
My Artist Series fine art photography prints are personally produced by me in my home studio and represent the truest form of my creative vision. They are the way I intend my photographs to be experienced in physical form.
Each image is individually soft proofed, test printed, and carefully inspected before it leaves my studio. This hands-on process allows me to maintain complete control over color, tone, and detail from capture to final print. These are not batch-produced prints. Every piece is made to order and evaluated one at a time.
Artist Series prints are produced on Palo Duro Etching 315 from Red River Paper, a 100% cotton rag, museum-quality fine art paper chosen for its subtle texture, warm white tone, and archival longevity.
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Printed using archival pigment inks on a Canon PRO-2100 large format printer
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OBA-free, acid-free, and lignin-free conservation grade paper
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Rich blacks and refined tonal separation
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Subtle texture that enhances depth without distracting from detail
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Small white border for professional matting and framing
The material and process shape how the landscape lives in your space. Paper choice, ink, and tonal control influence how the image feels when viewed day after day.
Sizing Information
Artist Series sizes refer to the full sheet size. The printed image area is slightly smaller to allow for a clean white border suitable for matting and framing. Borders generally range from approximately 0.8 inches to 1.5 inches per side, depending on overall size.
Each Artist Series print includes:
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A signed and numbered Certificate of Authenticity
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Production date and paper details listed on the certificate
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My initials, the print’s edition number, and the production date on the back of the print
If you are looking for an archival fine art photography print produced with full artistic control from start to finish, the Artist Series is my preferred presentation.
Click or tap on the images below to open larger views.
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Close ups showing the subtle texture of Artist Series prints on Palo Duro Etching 315 fine art paper
Ready-to-Hang Acrylic Photo Prints
These prints come ready-to-hang right out of the box with the included mounting attachments and hardware (premium framing is also available via special order). Acrylic photo prints offer a luminous, dimensional presentation that enhances depth, clarity, and color vibrancy. They are professionally produced in partnership with a trusted fine art print lab and arrive ready to hang.
Each image is printed on premium photo paper and face-mounted to optically pure, UV-resistant acrylic for exceptional clarity and durability.
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Brilliant color and enhanced depth
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Available in matte or high-gloss finishes
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Rigid acrylic backing for strength and stability
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Includes mounting hardware for immediate display
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Framing options are available via special request
Matte acrylic provides a soft, non-reflective finish that works well in bright rooms. Gloss acrylic delivers maximum depth and visual impact, ideal for contemporary spaces where you want the image to stand out (and where glare isn't an issue).
Every Ready-to-Hang order includes a direct consultation prior to production to ensure the finish complements your lighting and space.
Acrylic prints are produced at the selected size and then machine trimmed slightly. For example, a 24 x 36 inch order will have a final size of approximately 23.75 x 35.75 inches.
Acrylic is an excellent choice for contemporary interiors where depth and luminosity are part of the design.
Click or tap on the images below to open larger views.
Breakdown of how high-end acrylic prints are produced
Acrylic print edge detail
Ready-to-Hang Metal Photo Prints
These prints come ready-to-hang right out of the box with the included mounting attachments and hardware (premium framing is also available via special order). Metal photo prints provide a sleek, contemporary presentation with exceptional durability and color clarity. They are produced on premium aluminum panels known for vibrant detail and long-term stability.
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Available in matte or glossy options
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Lightweight yet highly durable
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Easy to clean and resistant to moisture
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Includes mounting hardware for frameless display
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Framing options are available via special request
Gloss metal enhances contrast and saturation. Matte metal reduces glare and offers a slightly softer look. As with acrylic prints, I personally confirm finish selection prior to production to ensure the final result suits your environment.
Metal prints are produced at the selected size and then machine trimmed slightly. For example, a 24 x 36 inch order will have a final size of approximately 23.75 x 35.75 inches.
Metal works particularly well in modern interiors and high-traffic spaces where durability matters.
Click or tap on the images below to open larger views.
Breakdown of how gallery metal prints are produced
Metal print edge detail
FRAMING & CARE
Proper framing and care will help ensure your print maintains its appearance for many years to come. The following guidelines are designed to keep the process simple while offering strong long-term protection.
Artist Series Fine Art Prints
Framing Recommendations
Artist Series prints are produced on museum-quality cotton rag paper and are intended to be framed. Professional framing using archival materials is recommended for the best long-term protection. Look for:
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100% cotton or archival mounting and mat boards
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UV-blocking glass or acrylic
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Acid-free backing materials
Avoid spray adhesives, liquid adhesives, or heat-based mounting methods, as these can permanently damage the paper.
Store-bought frames may certainly be used, especially for smaller prints. However, custom framing will generally provide better long-term protection and UV resistance.
Artist Series prints are allowed ample drying time before shipping. If you prefer, you may wait an additional week before framing, though this is optional.
Handling & Display
To preserve surface quality:
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Handle prints by the edges whenever possible
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Avoid touching the printed ink surface
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Display away from prolonged direct sunlight
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Keep away from high-humidity environments such as bathrooms
When properly framed and displayed under normal indoor conditions, Artist Series prints are designed to last for decades. If you need to store an unframed print, keep it flat in a cool, dry place using acid-free sleeves or protective interleaving sheets.
Ready-to-Hang Acrylic & Metal Prints
Ready-to-Hang prints arrive fully finished and do not require additional framing unless desired (see below).
Care & Cleaning
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Avoid prolonged exposure to direct sunlight
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Use a soft microfiber cloth
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Avoid harsh chemical cleaners
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Do not use abrasive materials on the surface
Framing Options
Premium framing options are available upon request for Ready-to-Hang prints, including several high-end profile styles and finishes. I am happy to discuss options and pricing before placing the order for production.
CUSTOM PRINT SIZES & SPECIAL ORDERS
My personally produced Artist Series prints are available in paper sizes up to:
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24"x36" (2:3 aspect ratio)
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24"x30" (4:5 aspect ratio)
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24"x48" (1:2 aspect ratio)
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24"x24" (1:1 aspect ratio)
Custom Print Sizes for Your Space
Please contact me for custom sizes or ratios (e.g., custom crops or aspect ratios to fit a specific space). Fine art paper sizes greater than the 24" short-side dimension shown above require fulfillment through an external printing studio and will not be directly produced by me, and may be printed on fine art paper other than the Palo Duro Etching 315 I use.
I am also able to work with my third-party print lab to fulfill special sizing requests for metal and acrylic Ready-to-Hang wall art.
Please note that not all images can accommodate different crops as it depends upon the overall composition and visual balance of the scene I photographed.
Special Order Print Types
If you would like a different print type for your space, such as canvas, please contact me to start a conversation around your specific needs. In most cases, I will be able to work with you to provide a solution.
PROPERLY LIGHTING ARTWORK
Lighting is arguably the most important part of displaying photographic prints (or any other art), yet it is often overlooked. Many photographers and collectors are surprised - and ultimately disappointed - when displaying prints as they fail to take into account the difference between a backlit monitor screen and a print that produces no light of its own.
There are a few important factors to consider when displaying art in your home or office:
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Avoid direct sunlight: This is critical to avoid premature fading of colors and damage to fine art papers. Even the most robust UV protection will not be able to fully protect your art. For fine art prints mounted behind glass, or metal or acrylic prints, sunlight will also often result in glare or reflections (even low-glare options, such as what I provide on my metal and acrylic options, are prone to this, albeit at a lesser amount).
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Use the right type of lighting: Of the various lighting options available, LED generally provides the most accurate color reproduction while fluorescent will be the worst (by far). The color temperature of your lighting will also have a dramatic impact on the appearance of artwork, and the CRI rating* should be 90 or higher (most reputable lighting manufactuers will list the CRI rating somewhere on the packaging or in the product information online). When proofing my fine art prints, I review them under soft white (generally around 2700 Kelvin) and daylight (5500 Kelvin).
The brightness of your light source - or lumens - will vary depending upon the distance between the source and the print, and how much ambient light is available. Generally, if your lighting source is reasonably close to the print, you will not need too-high a lumens count but an easy solution to find what works best for your space is to opt for dimmable LED bulbs.
*The CRI (Color Rendering Index) is a standardized metric used to measure how accurately a light source reveals the true colors of artwork or other objects compared to natural sunlight
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Manage glare and reflections: It's important to consider all times of day when choosing where to display your art, and how to light it. A location may receive plenty of ambient sunlight in the morning but fall into shadow as the day progresses. Conversely, a wall that doesn't receive any direct sunlight at midday may be bathed in strong light in the morning or afternoon (see #1).
If relying on artificial light sources, one must consider if existing lighting is sufficient or if brighter bulbs or new fixtures will be needed. Ideally, the primary lighting for a print will be above the piece at a roughly 30 degree angle. Doing so will help ensure glare and reflections are greatly minimized.
In the above comparison, the left example is clearly too dark. It's important to remember that there is a significant difference between viewing artwork on a screen that emits light versus viewing it as a print. The latter relies entirely on the lighting in its environment.
This comparison shows the difference made by using lighting of different color temperature. Although both examples are properly lit, the image looks very different from one to the other. There's not necessarily a right or wrong answer to the question, What temperature lighting should I use for artwork? That being said, it's important to understand the significant variance seen between different lighting Kelvin (K) values.
Although there's no definitive answer on which temperature to select, the artwork gallery standard is generally 3000K, avoiding the heavier yellow tones created by 2700K or lower and the bluish, almost clinical appearance of 5500K. 3000K is considered neutral white.
Cooler tones in the 3500K - 4000K range tend to appear more contemporary while still avoiding the harsher look of 5500K. I review my Artist Series proofing prints under light that falls in this range. Even though 5500K is usually labeled as "daylight" (which is correct for midday sunlight), it tends to look far less natural when artificially matched indoors.
Ultimately, it's personal preference as long as you have a clear understanding of how lighting will impact the appearance of a print.
Above, the artwork is shown using lighting with a color temperature of ~3750K. Although it's unusual to find bulbs with that specific value, it's representative of the nice balance that is achieved in the 3500K - 4000K range (some modern smart bulbs do allow for setting custom temperature values through a linked phone app, if you wish to have more specific control).
DETERMINING THE RIGHT ARTWORK SIZE
It is one thing to view an image on a phone, tablet, or computer screen at close distances: a relatively small representation of a piece of art can look perfectly fine. Most likely, however, you will be viewing a print on your wall from several feet away; the larger the print, typically, the farther the distance.
What may feel like a large print when held in one's hands can quickly dwindle in size and impact once it's placed on the wall. This pitfall can be avoided by opting for a larger print to better fill the wall space, or by grouping multiple smaller prints together to achieve the same - or greater - effect (and you will have the added benefit of being able to enjoy more scenes).
A great best practice to find the right print size for your space is to use painter's tape or other means to see how well different artwork dimensions fill your desired display space (if you plan to frame your art, with or without a mat border, be sure to account for that in your measurements, as well). Below are some unframed mockups to help you visualize the difference between different print sizes on a 10' wall.
Request a free mockup of a print of any size in your actual space. As part of my complimentary art consultations, I can work with you to produce an accurate mockup of any print in your home or office.
Print Size Mockups
Click or tap on any image for a larger view
11" x 14" unframed print on a wall that is approximately 10' wide
13" x 19" unframed print on a wall that is approximately 10' wide
The above print sizes represent the smallest I offer through my Artist Series prints, aside from the 8" x 10" prints included in my limited-edition folios and box sets. As seen, these sizes are not well suited for a larger space and would be best used above a desk or small table where the viewing distance would be much closer.
16" x 20" unframed print on a wall that is approximately 10' wide
17" x 26" unframed print on a wall that is approximately 10' wide
Even though the above examples are still on the smaller size, with framing (or matted with a frame) they begin to better fit the space. These sizes, as well as the 11" x 14" and 13" x 19" options, also work well in groupings of prints, allowing you to enjoy multiple nature scenes within the same space.
24" x 30" unframed print on a wall that is approximately 10' wide
24" x 36" unframed print on a wall that is approximately 10' wide
The two 24" short-edge prints above, as well as the 24" x 48" panoramic example below, represent the largest sizes available as Artist Series fine art prints that I personally produce on my large format printer.
17" x 34" unframed print on a wall that is approximately 10' wide
24" x 48" unframed print on a wall that is approximately 10' wide
Panoramic aspects, such as the two shown above, work well in rooms with lower ceilings or above fireplaces where wall height may be more limited.
30" x 45" unframed print on a wall that is approximately 10' wide
24" x 48" unframed print on a wall that is approximately 10' wide
For this specific room mockup, based on a wall length of 10 feet, we start to approach the maximum sizes appropriate for the space. That being said, it ultimately comes down to personal preference, as well as the viewing distance. The largest print sizes may be needed for layouts where you will be 10+ feet away from the print when viewing it.
40" x 50" unframed print on a wall that is approximately 10' wide
40" x 60" unframed print on a wall that is approximately 10' wide
Although bigger sizes are available, these last two examples represent the largest sizes that are likely appropriate for an average sized living space. Again, how large you wish to go comes down to viewing distance and the impact or "wow" factor you want within the space. The two sizes shown above are near the maximum available as metal Ready-to-Hang prints; acrylic has even larger options.
If you want guests to be blown away by wall art, nothing can beat a large acrylic photographic print.